Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Carlo Labruzzi
Posthumous portrait of Giovanni Battista Piranesi

ID: 82837

Carlo Labruzzi Posthumous portrait of Giovanni Battista Piranesi
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Carlo Labruzzi Posthumous portrait of Giovanni Battista Piranesi


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Carlo Labruzzi

painted Aleksandra and Izabela Potocki taking a stroll near to lake Albano in 1779-1780   Related Paintings of Carlo Labruzzi :. | Fisherboat | St.Luke and the Apostle Jacob the Elder | Prince Mukhranbatoni | The Destiny of Marie de'Medici (mk05) | This early portrait |
Related Artists:
Theodore Chasseriau
1819-1856 French Theodore Chasseriau Locations 1819?C56, French painter, b. Santo Domingo. He entered Ingres studio at the age of 12; five years later he gained immediate recognition with the exhibition of his Cain, Cursed and Return of the Prodigal. Chass??riau was the only artist of the age who successfully combined Ingres sense of line and Delacroix rich color and vitality and, at the same time, created his own personal style. After his visit to Algeria in the 1840s, he emphasized the exotic, romantic elements in his painting, while still adhering to classical techniques. Among his best-known works are the Two Sisters, Arabian Challenge, and Tepidarium (all: Louvre). His mural decorations for the Cour des Comptes of the Palais d Orsay, Paris, were destroyed except for a few fragments preserved in the Louvre. His untimely death cut short a brilliant career.
Jose Mercedes Ortega
painted Dona Ines de Suarez in defending the city of Santiago in 1897
PERUGINO, Pietro
Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,






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